All WEYDEN, Rogier van der Oil Paintings
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WEYDEN, Rogier van der St John Altarpiece oil painting


St John Altarpiece
Painting ID::  51168 		Artist: WEYDEN, Rogier van der
Painting: St John Altarpiece
Introduction: 1455-60 Oil on oak panel, 77 x 48 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der St Luke Drawing the Portrait of the Madonna oil painting


St Luke Drawing the Portrait of the Madonna
Painting ID::  51169 		Artist: WEYDEN, Rogier van der
Painting: St Luke Drawing the Portrait of the Madonna
Introduction: c. 1450 Oil on oak panel, 138 x 110 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der St Luke Drawing the Portrait of the Madonna oil painting


St Luke Drawing the Portrait of the Madonna
Painting ID::  51170 		Artist: WEYDEN, Rogier van der
Painting: St Luke Drawing the Portrait of the Madonna
Introduction: c. 1450 Oil on oak panel
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Sts Margaret and Apollonia oil painting


Sts Margaret and Apollonia
Painting ID::  51171 		Artist: WEYDEN, Rogier van der
Painting: Sts Margaret and Apollonia
Introduction: 1445-50 Oil on oak panel, 51,5 x 27,5 cm
   
   
     

 

 

 
 

 

 

 
WEYDEN, Rogier van der Group of Men oil painting


Group of Men
Painting ID::  51172 		Artist: WEYDEN, Rogier van der
Painting: Group of Men
Introduction: c. 1460 Oil on panel, 50,1 x 31,7 cm
   
   
     

 

 

 
 

 

 

 
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     Check All WEYDEN, Rogier van der's Paintings Here!
     Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion . Related Artists to WEYDEN, Rogier van der : | MONNOYER, Jean-Baptiste | Christian Stocklin | Eugen Kohlhauer | PALMA GIOVANE | William Sawrey Gilpin |

 

 

 
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